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Wedding traditions in Sindh

 

The wedding traditions in Sindh are somewhat similar to the wedding customs of the Arabs. They are listed below in the order of occurrence.

 Announcing the match

  This is done informally or formally. Formal ceremony is held by giving a silk veil and a diamond or gold ring to the girl by the bridegroom’s side by going to her house. Sweat meat is distributed by bride groom’s family. Unlike the West, Sindhis don’t go for sapphires.  Green diamonds may be liked by some folk. From then onwards, gifts to the girl are sent on every Eid: A suit of clothing (Shalvar kameez), matching shoes, vermicelli and sweat meat is among the things sent.

(In Olden times the girl’s nose used be pierced (at an earlier age) and an engaged girl used to get a nose ring. Now this customs remains in the villages only. Diamond is the stone of choice for the affluent villagers and plain gold for others. After the match is announced she always wears it. After marriage this is considered a sign of being married like a wedding band is in the West. There is an exception to this rule in Soomro households. Ladies belonging to the Soomro clan never wear a nose ring, regardless of marital status).

 Fixing the date (Potee)

The elders sit and fix the date, once it’s fixed; sweat meat is distributed by the groom’s side.

In the villages the mother of the guy personally goes to everyone’s house to invite them to the wedding, it can be done by his female relatives also. Since the cities’ population is far greater and the distances involved make it impractical, this invitation is usually sent via a wedding card. The more affluent families send this invite on an ivory plaque.

 (Old times and still in villages: the girl gets a silk chunni/potee (veil) with gold thread work in a ceremony and that indicated that the wedding is fixed). 

Vanwah 

This is the ceremony preceding that of a wedding, the bride to be sits in a room for a pre-fixed period which could be 1,2,3, 7,9, 11 or 15 days. During this period she is always accompanied by someone, usually a close female friend or a sister or female cousin. She sits facing the wall covered by an Ajrak (cotton wrap with block print; with a ten thousand year old motif). Incidentally, some non Sindhi communities overseas also make the bride sit facing away from the ladies present, facing the wall.  

Ceremonies of Vanwah:

 The bride groom’s side comes officially to make her sit in Vanwah. (She is seated before their arrival anyway) They bring clothes, matching shoes, sugar, hair oil mask and dry fruit basket and a yellow shalvar suit with matching bangles and Sagee (plait extensions made of cotton thread). Hair oil mask is usually omitted nowadays. Girls with short hair too tie it in a plait sagee. Bride’s plait (braid in American English) is opened a knot at a time by a married lady, (who used to put a little oil in her hair as she opened it, but this ceremony doesn’t take place after Western colonization of Sindh), and she feeds her (sweetmeat) mithai. In the past, after seven ladies had done the above knot opening, the bride was made to wear an embroidered niqab or face veil to protect her from evil eye throughout the period until vanah was over, but this is not usually followed anymore. This face veil is called an akhio in Sindhi.

She reads the Quran and is asked to pray for other unmarried girls for them to have a good fortune.

Tradition is that bride doesn’t bathe during vanah, this tradition is not kept anymore because most ladies work and have to take care of last minute preparations etc. (A Muslim person washes five times a day and uses water in the washroom so this shouldn’t be cause for alarm!)

 The Bridegroom has some change of routine during the vanah period. There is singing in groom’s house until mendi or henna ceremony. The ladies or girls involved in the singing get to eat sweetmeat and other goodies and air is really festive. The groom is told to be careful, does not engage in his usual business. He must not hurt someone’s feelings etc. or it will cause strife in his married life.  

Mendi (Henna)

 The bride wears a green suit, in Sindh it’s a shalvar kameez only, not kurta with chooridar etc. Her house gets decorated with small colored lights. The mendi is brought decorated in a platter and seven happily married ladies from groom’s side put some on her hand (nowadays it’s just a blot on a tissue or betel leaf on her hand since she gets ready in a bridal salon who put henna on her hands and feet, do the make up and fix jewelry on her so that any head piece doesn’t slip away). After this anyone can put mendi on her hand. Henna is applied first time on a girl’s feet since unmarried girls do not put henna on their feet.

 The groom’s uncles tie a wrist band (ghaano) on his hand and his sister puts henna on his hand. (Bride also wears a matching ghaano) If the nikah is to be done on the night of the mendi then his sister in law make him eat busri (sweet flat bread, or in our family’s case its sweet fried vermicelli). Nowadays people just use mithai, since busri is not commercially available in places like Karachi. The groom gives money to his sister in law in return for busri.

Throughout the mendi ceremony a young male cousin or his brother sits with him to give him advice. This companion has a special name; he is called an ahnear or anhyaar. The bride groom is not supposed to speak during the wedding ceremonies, or it will cause a draught according to the folklore. 

A bowl of henna is brought, his little finger is dipped in it and he gives money again. The same henna is used to dip bride’s finger in as well. The food for mendi day is arranged by the bride’s side. 

Some times you get to see the trousseau (no demand is made like in India, Sindhi tradition is from the Arabs, its the bride groom who brings jewelry and clothes and other stuff), it’s kept in a room and a lady opens it and you look around. Bride groom gets an odd no. of suits 7, 11, 21. The bride gets gold and diamond sets from him. Traditionally it was a must to bring at least one duhri (seven strand 22 karat gold necklace with matching long earrings), cuff bracelet (baaheen), gold hair pins, gold anklets (chhayr), although some Sindhi ladies have reservations about wearing gold chhayr, they believe its unlucky. Affluent families bring diamond necklaces and bangles and earrings, Shalvar suits with gold buttons and other stuff. The bride’s suit for the wedding is red shalvar kameez embroidered with gold thread. Since the holy law doesn’t allow men to wear gold, the bride groom does not wear any.  There is not rule of wearing wedding bands by a married couple for life in Muslim culture.

Wedding day 

Tradition is that Jhanjh (baraat) comes at dawn and leaves soon after sun rise but in cities weddings are held at night time. 

The bride wears red shalvar kameez and all the gold and diamond jewelry brought for her by the groom’s side. In Thar the tradition is to wear a silken Gajj and Paro (Thari silk blouse and skirt) with baandhni silk chunni. This also looks stunning.

The ornaments are kept in the jewelry boxes made out of marble or some fancy wood.  In ancient times, all the heavy jewelry used to get worn regularly in the house. Ladies used to deck themselves in sets for different occasions on a daily basis. This is not the case anymore due to fast paced life which demands simplicity.

 The bridegroom wears a shalvar kameez along with an ajrak on his shoulders. Baloch families had the tradition to put a silk wrap (chunni) on his but nowadays they tend to use an ajrak only, while on his head he usually ties a white muslin turban. (Incidentally the Indian Muslims living in Karachi do use a wrap, now store bought for this purpose).

 Nikah (Wedding rites according to the Holy Law)

 It takes place on mendi night or wedding day. The girl gets asked three times if she agrees to marry so and so, son of so and so. After three times, she agrees and signs the marriage certificate. Written marriage certificate is necessary for travel purposes otherwise any marriage is valid if the bride has agreed to the nikah. Then the bride groom is asked the same question and when he agrees, the religious molvi recites from the Quran and supplicates the Almighty for the newly wed. Dry dates are distributed to mark the occasion.

 Wedding stage usually set up by the wedding organizers or the club where it is being held, or it may be set up in one’s garden if it’s large enough.

Khair Jo Bhaghon

  Some families do this ceremony, some don’t. It goes like this: Before he comes and sits on a cushion, he gets his toe tied with a thread to his little finger and sister in law puts the thread around his neck. He gets let off if he agrees to “Khair Jo Bhaghon” (half of his earnings for his mum and rest for his wife).

 Then Laaoun ceremony takes place in which head of the bride is made to strike gently three times with the groom’s. This is done by seven married usually the respected elders. They pray for the couple during this for them to have a prosperous life and have male offspring.

 Then cotton wool is placed upon her head and he picks them and vice versa.

 Mirror ceremony

 A mirror is placed between them and they see each other for first time as life partners. A plate of uncooked rice is brought with a dry date in it. She finds it, keeps it in a tight fist. The groom is supposed to open it, if he opens it, tradition says he will rule the house and if not then she will be the boss.

 Milk ceremony

 Milk containing dry fruit such as almonds and pistachios is brought for the groom; he drinks it and pays money for it to the bride’s side. Then she is made to drink from the same glass. Remaining milk is drunk by bride and groom wannabes.

 Rice ceremony

 Dry rice is placed in a fancy platter and they put it in each other’s hands and there is much singing by his family’s ladies. After this, a young boy is made to sit in his lap for good luck.

 Shoes hiding ceremony

 When the bridegroom gets up, finds that his boot has been hidden by the bride’s sisters. So he pays money after a friendly wrangling and gets it back.

 Nikhayti (Bride says farewell to her parents and family)

Palow Pale: His sister ties the ajrak he is wearing to the chunni the bride is wearing. They walk like this till they reach the car which can be a limousine if you are living outside Pakistan.

Once she reaches the house of her in laws, the bride takes off the ceremonial thread wrist band. The couple’s room is decorated with a red theme. The bride groom keeps a knife and a tasbeeh (rosary beads) with him on the wedding night for warding off evil spirits and protection against evil eye.

 On 2nd Day after the wedding, the knot in the ajrak of the bride groom and the chunni of the kunvaar (bride) is opened and again the sister of the bride groom gets paid for carrying out this ceremony.

 Valima or a separate wedding reception common among non Sindhis, is not given in Sindhi families since the wedding itself is the valima; it’s entirely paid for by the bridegroom’s side like the Arab tradition is. (Valima means wedding feast in Arabic paid for by the bride groom) In the villages in Sindh the cooks are available to make food for weddings and affluent families give the entire catering job to the Intercontinental Hotel staff.

After the wedding, the bride groom invites colleagues who couldn’t make it to the wedding; he usually does that by ordering food at work, if they insist that is.

 (There are special pieces of jewelry worn by the bride now which are only worn by married ladies in Sindh, one is a spiral band in her finger and the other being toe rings).

Sataavro (7th day ceremony) 

On the seventh day the bride returns to her parents’ house for dinner and staying the night. After this day, other relatives invite the couple for dinner to their places and this goes on for weeks and sometimes months depending on the number of relatives!

 Uploaded on August 10, 2008

 

 

Name

Surrayya Jabeen

Occupation

Writer

City

Karachi, Sindh, Pakistan

Interests

Reading Islamic History/ Western History
Space exploration
Sufism
Traveling to different countries
Baking (some cooking also)

 

Contact

info@mehranmag.com

 

 

 

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