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Shah Abdul Latif Bhitai

SHAH ABDUL LATIF BHITAI, the saint and great mystic poet is the common invaluable cultural heritage of the  peoples of the sub-continent. He is not legacy which could 65 only be placed in the decorated galleries of national museums or archives. He is the living and moving spirit who inspires human souls and enlightens mind in the toughest period of  time and the bitterest-hours of struggle for realization. His everlasting poetry has immortalized him. He will be felt and sensed by generations to come. Shah Latif was one of those  enlightened souls from whom candles of love for humanity derived soothing shine. He was not just a preacher of ideals embracing humanism, but he embodies virtue and had personified love for mankind in his person. His 'man ' is  the real man with flesh and bones, having his material needs and requirements and a social being committed to the society, its values and traditions. His 'man' at a time belongs to different creeds and religions with different languages and dialects and cultures and hails from different ethnic origins, nationalities, castes and tribes, but possesses one common value that is humanism. Shah always kept this aspect of his 'man' dear to his heart and mind. There is no place for sectarianism and parochialism in his frame of mind  and the scheme of his thought and feelings. He is in himself  all love and all virtue. Discriminations and dislikes for any section of the society are not known to him and are, in fact, strangers in the areas and atmosphere around his vital senses.

Writers not so well versed with Sindhi language and literature owe greatly to Dr. Trumpp and Dr.Sorley who, through their most comprehensive and research oriented  works on the art, poetry and the life of Shah Latif, have  opened a gateway to the rare treasure island of art and  literature for the travelers of the world of fine arts, like us.

The poetic tradition, which Shah Latif represents, is more than a literature, and more than a culture. It expresses  vigorously and coherently the response of human nature  about the issue of human existence. It is a fusion of the elements which are philosophical, mystical and aesthetic, and  are also essentially trivial and ephemeral. The fusion always  takes place within a man and not outside him, in a system of philosophy or aesthetics, but certainly, not in religious dogma. His  poetry is therefore, a means of human self-revelation and self-assertion. Human nature asserts itself, whatever the prevailing system or belief may be, but as and a matter of history, literature and other fine arts have  flourished mostly in the period when human thought is man centered. The legalists succeed in restraining the development  of art which depends on the presentation of living forms by carrying social opinion with them and the seclusion of  women which is based on a legalistic interpretation of religious dogma.

The age of Shah Latif extends from 1690 to 1752 AD. He was a true son of the soil, deeply attached to Sindhi Land. He was the finest exponent of the rural life and peasantry in  literary history of the sub-continent. His greatness as a writer lies in his creative genius. He created life in super-abundance, peopled a whole world of his own making. The world of Shah Latif is inhabited by hundreds of peasants, landlords, money lenders, fighter for truth and justice and lovers devoted to their ideas. The power of  Shah's pen was in its fidelity to life, its truthful presentation of Sindh.

Sindh that lives in the small villages, towns and  countryside, in the fields and pastures, in narrow lanes and alleys,  in castles and tumble-down huts. Shah Latif dreamed to transform this life by the power of his pen and influenced the contemporary events and march of history and left who hit out against wrongs and injustices in all the vicious myriad forms. He hit out courageously against humiliation of exploitative rule and oppressive social order.   He was enlightened rationalist who stood four squire against  orthodoxy and superstitions as well as blind faith and obscurantism.  He is man of  limitless glamour which is the outcome of his open-mindedness and freedom from malice and prejudice, freedom also from contempt or irony. The secret  of magic and massive popularity of his poetry consists in his supreme art of painting his feelings most naturally  and in the fewest and simplest possible words. His poetry is  the voice not of poet, but of life itself. There is truth and innocence in it which makes us stop and ponder over-every verse. The most prominent quality of his poetry is its uniqueness and its individuality which have many  dimensions. Verse of Shah Latif equally moves the  common man on the street, workers and peasants and those who belong to upper classes of the society.

The elements in his poetry, which could be mainly .attributed to his great  popularity and mass appeal in every strata of society, are his simple yet so powerful expression and style, diction and  drama, music and melody. He immortalized the folk tales and  their characters by painting his vision in them and  communicating his great ideas and thoughts through them. Desirous of reaching out to the vast masses.   His style, like other elements of his art, is remarkable for its vigor and strength rather than for ornamentation. He deliberately deviated from the common path and chose his own way to the destiny he had in his mind. Shah Latif rejected the influence of alien style and diction but adopted the one which has close liaison with the landscape, cultural heritage and aspiration of the people of Sindh. The tradition set by him in this aspect is pride treasure of the world of art and modern Sindhi poetry. Shah Latif has broken shackles of alien domination in the domain of Sindhi poetry in particular and in other forms of literature in general. The diction of Shah Latif is the order of the day in the contemporary Sindhi literature.

Many of the folk tales which received his treatment, care and attention depict a struggle in the human hearts between egoism and nobility. Ultimately the noble impulse is victorious. He is an uncompromising painter of reality but his idealism too seeks to give direction to life.

Shah Latif, an outstanding artist, ranks among the greatest in the galaxy of poets of the sub-continent as well as whole world. His greatness however does not rest with his adoption of rare verse form, the poetic narration of the popular folk fables. He excels his tribe in that he sets in motion a new deviation and experimentation which created a lasting impact and permeated other poetic forms as well .He employed various artistic devices to overcome the restrictive influence of  tradition in the field.  His style of expression is marked by dignity, clarity, feeling and moral fervor, which in the 20th century has been pressed into service by new generation of poets to propagate socially. culturally and even politically meaningful concepts and values on an ever enlarging canvas.

 

 Shah Abdul Latif's life is spread over the period, which witnessed  decline of Mogul dynasty, rise of Kalhoras to power  in  Sindh, invasion of Delhi by Nadir Shah followed by making Sindh tributary to Persia, coup of Ahmed Shah Durrani,  who made Sindh subject to Kabul, and Shah Latif died six years before the British cast their eye and set their foot on the sacred soil of Sindh by establishing East lndia Company's factory at Thatta.

The saint-poet belonged to an illustrious Sayed family and his ancestors, who were the descendants of holy Prophet Muhammad (Peace Be Upon Him) had migrated from Hirat. His father Sayyed Habib Shah was settled at Hala Haveli (now in ruins) not far from Matiari. Then for reasons not known shifted to a near by village Kotri.

The veneration that Sayeds command in Sindh,  plus the religious stature of his father, who being a spiritual  leader, had a large following, offered the surroundings of dignity and authority to Shah Abdul Latif.

Though born with a silver spoon in his mouth, Shah Abdul Latif exhibited traits unusual of the common lot. He was above personal desires and denied to himself the life of  comfort and elegance, thus showed that he was not worldly  minded. In search of holy light, he used to wander by himself. Once, while sitting on a sand-hill he was so much  immersed in his ideas that his body was covered by sand and  did not return- home for three long days to great anxiety of  his father, who on receiving information from a shepherd, located him and uttered.

لڳي لڳي واءُ ويا لنگڙا لٽجي

                "Currents of wind have wrapped all limbs with sandy folds."

Hearing this painful line, Shah Abdul Latif replied in equal anguish as follows:

کڻي پئي پساھ پسڻ ڪاڻ پرينءَ جي


          "The breath yet lingers for viewing the beloved. "

He was gentle in manners, humble in nature and a soft spoken person. It is not due to his family background, but he commanded in his own right compassion and hospitality.

 He believed in oneness of Allah (God) Almighty, Holy Prophet Muhammad Peace be upon him and Holy Quran. He struck a beautiful balance in his approach on account of his firm belief in oneness.

His message is love, peace, good relationship, friendship and development of whole world.
 

Shah also criticize the capitalist, feudalist because they are the source which destroy the human beings and their prosperity. Shah says

متو آهين مڇ ٿلها ٿو ٿونا هڻين

تو جا ٿائين اڇ، تنهن پاڻيءَ پڄندي ڏينهڙا

O! CROCODILE YOU HAVE BECAME FATE AND

ARE PROUD OF YOUR FORCE,

WHAT YOU THINK IS ABUNDANT THE WATER

WILL SOON DRY.

It is his clear warning all the time to those who exploits the interests of the masses and play with the destiny of their nation that they should not demonstrate their despotism and be proud of the power, which has no foundation at all.

shah's poetry is poetry of the prosperity of lower and middle class and and criticism on upper class. There are thirty topics of Shah Abdul Latif's poetry.

The book of shah's poetry is published in English, Urdu, Sindhi. This book named in Sindhi " Shah Jo Risalo" and in other languages with different names shows the concepts and struggle of Shah Abdul Latif. There may be thousands of  verses (poems) of Shah's poetry in this book.

This Sindhi philosopher can not reach on the top. Because research can not be done on the Shah's poetry and philosophy. Some persons have done translation of shah's poetry in different languages and done research on shah's poetry.

 

 

 

 

 

 

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